Sunny Fong was the very last Canadian designer on the World Mastercard Fashion Week calendar this season. With the 8pm timeslot on a Friday night, one might worry that the burnt out fashion week crowd might give in to the temptation to skip out on the closing night shows and hit the bar instead, but they didn’t. Instead, they came out in droves – as they have every season since Fong’s line VAWK was reborn after his Project Runway Canada win – to see what is always one of the best collections of the week, and he made it more than worth their while.
Fong showed two collections, his lower-priced contemporary line, VAWKKIN, followed by his main line, VAWK. The former had debuted last season (remember that time I was a model for an afternoon?) with chic office-ready garb for the Bay Street crowd, and Fong continued in that direction for spring with a largely black-and-white stream of day-to-night dresses and separates. These were sophisticated looks with which the accountant in me would happily fill my work wardrobe. The white collared blouse with sheer black sleeves and skirt to match was a standout.
The second collection was much less practical, and delightfully so. The 13-look line-up was everything Fong’s fans, including Katy Perry and Elisha Cuthbert, love about VAWK: bold, sexy and dramatic. From the moment model Rochelle ten Holder opened the show in a jaw-droppingly stunning sheer black dress to when the final fringed eggplant purple gown turned out of sight, I was completely enamoured. It was one red carpet-worthy number after another, styled impeccably by Tricia Hall. The Niki & Lola-designed jewelry, including that Madonna-esque cone bra that had Twitter abuzz, perfectly complemented Fong’s strong collection.
Even tentative models who strutted only halfway down the runway, thanks to a super slick catwalk, couldn’t distract from the gorgeous designs. In fact, it was my favourite spring collection from VAWK to date, and a very high note on which to close Toronto Fashion Week for the season.